Reversable German Park
A reversable German Parka of 1943 or later with the splinter camo pattern
Picture provided by Epic Militaria ((c)2010), with thanks.
The Black Maria. A building built for the recording of motion pictures.
Sometimes one invention might give you an idea for making something else. That is what happened to Thomas Edison with motion pictures.
In October 1888 Edison wrote, "I am experimenting upon an instrument which does for the Eye what the phonograph does for the Ear . . ." Actually, "motion" pictures only seem to move. A modern movie camera takes still pictures like a regular camera does. However, it takes 24 of these pictures, or frames, per second. When you show these pictures at a very fast rate, they look like they are moving. Even before Edison's work on movies, this basic idea had already been developed by a British photographer named Eadward Muybridge. He wanted to prove that when a horse ran, all four of its legs could be up in the air at once. By taking several photos very fast, Muybridge proved his point.
Around 1889 Edison picked a team of muckers to work on this project, headed by William Kennedy Laurie Dickson. They built the Strip Kinetograph, which was a very early movie camera. The "strip" was a piece of long, flexible film that had been invented for regular camera. Unlike older photographic film, it could be wrapped around a wheel or a spool. The Strip Kinetograph took pictures so fast that they would seem to move.
Then Edison and his muckers built a Kinetoscope, a machine to watch these movies. One person at a time would pay five cents to watch a short, silent movie about twenty to thirty seconds long. The first kinetoscope parlor, or movie theater, opened on April 14, 1894, at 1155 Broadway in New York City.
To film these movies, the muckers needed a stage. Edison's light bulbs were not bright enough to make these films. They built a stage out of wood planks and tar paper, with a roof that opened up to the sun. This strange building looked a little like a police wagon or a hearse (which took coffins to the graveyard). A police wagon was sometimes called a "black Maria" (pronounced Ma-RI-uh). This "Black Maria" was built in 1893. Short films were made there for ten years until it was torn down around 1903. By then Edison had a newer, better movie studio in New York City.
Edison was one of the inventors of motion pictures, but he should not get all the credit. Other inventors in different parts of the world made important discoveries as well. For just one example, in 1896 Thomas Armat and Francis Jenkins designed the phantascope. This early movie projector showed the film onto a screen, so that a roomful of people could watch at the same time. Edison bought the rights to this machine and started making his own projectors. The Lumiere brothers in France were also extremely important in the development of movies. Other inventors also helped find pieces of the puzzle.
But, with his huge laboratory here in West Orange, Edison put the pieces of the puzzle together. That is why he is sometimes called the "Father of Motion Pictures."
History of Memorial Day
Memorial Day, as Decoration Day gradually came to be known, originally honored only those lost while fighting in the Civil War. But during World War I the United States found itself embroiled in another major conflict, and the holiday evolved to commemorate American military personnel who died in all wars, including World War II, The Vietnam War, The Korean War and the wars in Iraq and Afghanistan.
For decades, Memorial Day continued to be observed on May 30, the date General Logan had selected for the first Decoration Day. But in 1968, Congress passed the Uniform Monday Holiday Act, which established Memorial Day as the last Monday in May in order to create a three-day weekend for federal employees. The change went into effect in 1971. The same law also declared Memorial Day a federal holiday.
WATCH: Flashback: Memorial Day - 1936
Farms for Sale
Picture from the FDR Library, courtesy of the National Archives and Records Administration
The drought, dust storms, and boll weevils that attacked Southern crops in the 1930s, all worked together to destroy farms in the South.
Outside the Dust Bowl, where farms and ranches were abandoned, other farm families had their own share of woes. Without crops to sell, farmers could not make money to feed their families nor to pay their mortgages. Many were forced to sell the land and find another way of life.
Generally, this was the result of foreclosure because the farmer had taken out loans for land or machinery in the prosperous 1920s but was unable to keep up the payments after the Depression hit, and the bank foreclosed on the farm.
Farm foreclosures were rampant during the Great Depression.
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The First Photograph With People
The first ever picture to have a human in it was Boulevard du Temple by Louis Daguerre, taken in 1838. The exposure lasted for about 10 minutes at the time, so it was barely possible for the camera to capture a person on the busy street, however it did capture a man who had his shoes polished for long enough to appear in the photo.
Boulevard du Temple is by Louis Daguerre
Kid Rock's label, Atlantic Records, was unable to obtain permission from Crow's label, A&M Records, to release the original version as a single. Therefore, Atlantic Records decided to rework the song with country singer Allison Moorer (coincidentally signed to A&M's sister label Universal South Records) instead. Moorer re-recorded Crow’s vocals for the commercial release. 
Even though Atlantic Records was unable to obtain rights to release Crow's version as a single, mainstream, rock/alternative, and some country radio stations disregarded this and played the original version featuring Crow, while other country music radio stations played the radio edit featuring Allison Moorer instead. Because of this, Billboard credited the song on the charts as Kid Rock featuring Sheryl Crow or Allison Moorer.  Each version of the song features a different guitar solo.
The song is performed in the key of G major in common time with a tempo of 98 beats per minute.  The verses of the song follow a chord progression of G–C–D–C–G, and the chorus follows an Em–G–D–C–G progression. The vocals span from G3 to B5. 
Being the third Kid Rock single that entered Billboard's Hot 100 chart, "Picture" remains his highest-charting single in the United States, peaking at No. 4 in April 2003. The song also charted on the Hot Country Songs chart, peaking at No. 21. Until 2008's "All Summer Long", it also marked his only Top 40 country hit. The song is also Sheryl Crow's second-most successful single in the United States, after her 1994 hit "All I Wanna Do" which reached No. 2.
On the Hot Country Songs chart, the song was credited only to Kid Rock and Crow for 22 weeks. By then, the single had reached No. 33 on the charts.  The following week, however, the song began to be credited to Kid Rock featuring Sheryl Crow or Allison Moorer.  The song spent a total of 33 weeks on the country chart, reaching No. 21 in 2003. 
As of September 2017, "Picture" sold 836,300 copies in the United States according to Nielsen SoundScan. 
Even though Crow's label did not release licensing permissions for the original version, Crow was featured in the music video singing instead of Moorer. The video takes place in a studio showing Rock and Crow recording the song, accompanied by clips of the duo hanging out in the winter time. During the guitar solo, Rock is seen wearing a cowboy hat and winter jacket while walking alone in a field covered in snow. The video also features a few uses of the monochrome effect, while most of the video is in color. It was directed by JB Carlin.
Kid Rock performed "Picture" with LeAnn Rimes on his 2003 Christmas TV special, A Kid Rock Christmas.
A live performance he had of the song with Gretchen Wilson was released as a track on his 2006 album Live Trucker.
He performed the song at a concert with Martina McBride for the 2009 TV special CMA Music Festival: Country’s Night To Rock. 
Kid Rock has also sung the song live with female country singers Kellie Pickler, Miranda Lambert and Jessie James.
When the song is performed live, the music pauses while Rock holds out the lyric “I was off to drink you away”, following the lyric “I was headed to church”.
Fleet Foxes frontman Robin Pecknold covered the song with Joanna Newsom in 2010 when the former opened for the latter.
Rascal Flatts have covered the song with Sheryl Crow on their joint 2014 tour together. Unlike Kid Rock’s concerts, the Rascal Flatts do not hold out “I was off to drink you away”.
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The mass gang rape of German Fraus and Fraulein when the country lost the war remains one of the most under-reported piece of history.
|Soviet soldiers burst into a room filled with young German girls|
|A Russian soldier forces himself on a hapless German woman|
German historian Miriam Gebhardt writes about a German man saying, "My niece was raped by fourteen Russian officers in the next room. My wife was towed by a Russian in the barn and also raped. After being locked up in a stable and raped the next morning five clock at gunpoint again. When the column was gone, we found my wife under a pile of straw, where they had fled in fear. "
As a former slogan sums up: "The Americans took six years to fight down the German soldiers to have a German woman, it took a day and a table of chocolate."
The terrible deeds played out not only in the areas where Red Army soldiers often roamed. Also in the UK, the French and the American zone of occupation, there was mass rape, sometimes for several days.
Berlin women, it seems, were short of food, but well provided with poison. There were instances of mass-suicide by poison. The actor Paul Bildt and some twenty others dispatched themselves thus, only he woke again and lived for another dozen years. His daughter was among the dead. Attesting once more to the incidence of suicide among the nobles, especially those who lived on isolated estates in the Mark Brandenburg, the writer cites a number of cases showing how far the old families would go to protect the dignity of their daughters: death was preferable to dishonour.
After The Reich by Giles Macdonogh P 99
The film Eine Frau in Berlin "A woman in Berlin ", based on the bestselling book of the same name conjures up images of one of the most brutal pages from the past: sexual violence against German women at the end of World War II.
Insulting the honor of German women. Ordinary women who had nothing to do with the Nazi government. Was it fair? And the Americans looked away.
Millions of women victims raped by Russian soldiers during the last months of World War II. Anthony Beevor's book "Berlin -- The Downfall 1945" documents rape by Russian soldiers. "Beevor's conclusions are that in response to the vast scale of casualties inflicted on them by the Germans the Soviets responded in kind, and that included rape on a vast scale. It started as soon as the Red Army entered East Prussia and Silesia in 1944, and in many towns and villages every female aged from 10 to 80 was raped." The author "was 'shaken to the core' to discover that even their own Russian and Polish women and girls liberated from German concentration camps were also violated." Until recent years, East German women from the World War II era referred to the Red Army war memorial in Berlin as "the Tomb of the Unknown Rapist."
American and British soldiers too.
Not all rapists wore a red star. John Dos Passos in "Life" on January 7, 1946, stated that "lust, whiskey and plunder - was a reward for the soldier." One soldier wrote in Time magazine (Time) on November 12, 1945: "A lot of normal American families would be horrified if they knew how utterly insensitively our boys "behaved here." An army sergeant wrote: "And our army and British army . had their share of looting and rape . Although these crimes are not typical for our troops, but their percentage is high enough to give our army of sinister reputation, so that we too can be called an army of tyrants."
Sociologist and criminologist Professor Bob Lilly makes unprecedented use of military records and trial transcripts to throw light on one of the overlooked consequences of the US Army's presence in Western Europe between 1942 and 1945: the rape of an estimated 14,000 civilian women in the United Kingdom, France and Germany.
"[Sexual Violence in Conflict Zones] makes a significant contribution to our understanding of the relationship between sexual violence and periods of conflict."
Brutality and Desire: War and Sexuality in Europe's Twentieth Century